Aiwei Group 愛為派 2022

AWARENESS-S.A. performance art Q.M

愛為派南方行動藝術季會

2021 Spring 春季號
2022 Spring 春季號
2022 Winter 冬季號
2023 Spring 春季號

愛:喜愛,為:行為。行為藝術家最困難的地方就是發表的機會,2020年由資深藝術家劉寅生發起,與行為藝術家陳怡儒與徐敏思,一起執行這個以“實作”為目標的聚會。

 

由於2020年全球瘟疫,讓行為藝術的交流變成了以線上即時或者影片的形式來表現,“愛為派”也將以這為目標,藉由每季聚會拍攝行為影片,以網路發表為途徑。

“Ai”~love, “Wei”~ action. The most difficult part of performance artists is the opportunity to introduce their works to the public . In 2020, senior artist Craphone Liu initiated this gathering with performance artists Chen I Ju and Hsu Min Szu to implement this performance gathering.

Due to the global plague in 2020, the exchange of performance art has become expressed in the form of online real-time or video. “Ai Wei” group will also aim at this~Shooting performance videos and using online publication as a way.

2022 Spring edition 春季號

時間:2022年 3月17日

地點:雲林台西鄉

Date: 17th Mrach, 2022

Venue: Taixi Township, Yunlin

「愛為派~拜訪藝術家」 no.1

丁麗萍是一個 資深又多面向的藝術家。以聲音實驗劇場行為的混血, 每次看她的作品呈現出的 哲思混沌詩意到人道的關懷是非常有趣, 當今行為藝術實在不好談, 因為在行為藝術裡容它性很高。 

“Aiwei Group~Visiting Artist” no.1

Liping, Ting is a senior and multifaceted artist. It is very interesting to see her work, which is a hybrid of experimental theater performance with sound, from philosophical chaotic poetry to humane care. Today’s performance art is really hard to talk about, because performance art is very tolerant.

那一天,一早,敏思 Min-Szu Hsu先到台南火車站,再搭著我的車沿著海線開往台西,我們都是第一次到台西呢。

 

沿路,就一直在找那些“網紅”地標,什麼高跟鞋什麼教堂的,從台南~嘉義~一路到台西。

 

原來我們是那麼不熟悉台灣!!

 

中午吃麗萍媽媽的家常菜,我們嚐到了遺世小鎮的美妙滋味,吃飯前我們這些都市土包子,看到長起來的蘆筍大驚小怪地叫著……哈,飯後我們三人小聊了一下,也製作了一小段有行為藝術的談話。下午看了潮汐表,在退潮時抵達台西夢幻沙灘,這個地方的旁邊就是台塑麥寮工廠,景色有一種超現實感。

That day, early in the morning, Min-Szu Hsu went to Tainan Railway Station first, and then we drove to Taixi township. It was our first time to Taixi.Along the way, I have been looking for those “net celebrity” landmarks, high heels and churches, from Tainan ~ Chiayi ~ all the way to Taixi.

 

It turned out that we are so unfamiliar with Taiwan! !

 

At noon, we ate the home-cooked food of Liping’s mother, and we tasted the wonderful taste of the country side. Chatted for a while, and also made a short talk with performance art. After watching the tide table in the afternoon, we arrived at Taixi Dream Beach at low tide. Next to this place is the Formosa Plastics Sixth Naphtha Cracker Project. The scenery has a surreal feel.

2022 Autumn edition 秋季號

時間:2022年10月27日

地點:台南公園

Date: 27th October, 2022

Venue:Tainan Park

這是一個突然的行動,敏思想要做一點什麼,我就想到台南公園。台南公園其實歷史悠久,裡面有許多珍貴的老樹,都將近百年。看到這些老樹都市裡,真得有一種震撼,我也相當驚訝這些老樹可以在城市的都市化存活下來。可能也是因為有大樹公的信仰,讓生活在這片土地的人對於這些能夠存活的大樹有敬畏。

This was a sudden action. Min-Szu wanted to do something, and I thought of Tainan Park. In fact, Tainan Park has a long history. There are many precious old trees in it, all of which are nearly a hundred years old. Seeing these old trees in the city is really shocking, and I am quite surprised that these old trees can survive the urbanization of the city. It may also be because of the belief of the “the worship of Tree Deity“, that people living in this land have awe of these surviving big trees.

2022 winter edition 冬季號

時間:2022年 11月18日

地點:屏東內埔

Date: 18th November, 2022

Venue:Neipu, Pingtung

「愛為派~拜訪藝術家」 no.3

那一天我開車接了敏思後,就開往屏東內埔到君君家。每次一開始一定都是先吃飯,那一天我們有了相當美味的蔬食義大利麵,且喝了營養的雞湯。在餐桌上我們聊得很盡興,因君君是以舞蹈為基礎的藝術家,但也接觸了不少行為藝術領域。除了這個主題,也聊到了真實的臨在這個主題。臨在也是在各種表演裡相當迷人的“狀態”,它也關乎到表演的“真實”與否,或者是某“觸及”到觀眾甚至是表演者之間的聯繫。我們那天因為聊得非常愉快,開始拍攝作品時已經下午三點了。選擇了房子外的花園,幾個有趣的角落來做。

“Aiwei Group~Visiting Artist” no.2

That day, after picking up Min-Szu in my car, I drove to Neipu, Pingtung, to Junjun’s house. “Visiting artist” always started with a meal, we had a very delicious vegetable pasta that day and drank nutritious chicken soup. We chatted very happily at the dinner table, because Junjun is an artist based on dance, but she has also been exposed to many fields of art like performance art. In addition to this topic, we also talked about the topic of real presence. Presence is also a very fascinating “state” in various performances. It is also related to the “realness” of the performance, or whether it “touches” the connection between the audience and even the performers. Because we chatted very happily that day, it was already three o’clock in the afternoon when we started shooting the work. We chose the garden outside the house and made several interesting corners.