奈米計畫：2003年計畫緣起
Nanoproject: The Origin of the Project in 2003
奈米計畫是2003年由劉寅生所主持的計畫，在當時的起源裡寫著：〝奈米〞，是對物質尺度的描述，單位計量上：1奈米（nm）長度為9－10米。在奈米尺度下，一般指介於1nm至100 nm間，物質的特性，不歸屬於經典物理的巨觀(macroscopic)視界，也不屬於量子物理下的微觀(microscopic)行為，而是呈現所謂的介觀現象(Mesoscopic phenomena)。
The “Nanoproject” was a project hosted by Craphone Liu in 2003. The origin at that time stated: “Nano”, which is a description of the scale of matter. In terms of unit measurement: 1 nanometer (nm) has a length of 9- 10 m. In the nanoscale, it generally refers to the characteristics of matter between 1nm and 100nm. It does not belong to the macroscopic horizon of classical physics, nor does it belong to the microscopic view of quantum physics. microscopic behavior, but presents so-called mesoscopic phenomena.
在介觀尺度下，由於電子、光子、聲子自身與彼此之交互作用，材料、元件及系統會展現出顯著改善或全然不同的物理、化學及生物特性和現象。奈米技術主要目標即是藉由掌控原子、分子、或巨分子尺度的結構或裝置來探索這些特性，並有效率的製造或使用這些裝置。
At the mesoscopic scale, due to the interaction of electrons, photons, and phonons with each other, materials, components, and systems will exhibit significantly improved or completely different physical, chemical, and biological properties and phenomena. The main goal of nanotechnology is to explore these characteristics by controlling structures or devices on the scale of atoms, molecules, or macromolecules, and to efficiently manufacture or use these devices.
奈米是科技應用的新方向，創造出更多有益於人類生活的新穎技術。於是，〝奈米計畫〞即藉由奈米的原理特性與新興應用，發揮單獨的創作元素，整合而延伸發展出更具生命力的作品精神。
Nano is a new direction in the application of science and technology, creating more novel technologies that are beneficial to human life. As a result, “Nanoproject” is to use the principle characteristics and emerging applications of nanometers to bring into play individual creative elements, integrate and extend the development of a more vital spirit of works.
在2003的時空背景下，他提出了對於“跨領域”作品的概念，他認為跨領域的意涵，應是整合各形式的表演元素，舉凡：裝置、表演、行動藝術與音樂創作等的單一基本元素，都可彼此結合而爆發出新能量的作品語彙。也因為跨領域創作的多樣性，如何掌握與應用各元素的特性，就是創作者不可或缺的能力，也才不致於創作作品空有跨領域之名，而無實質精髓。
Under the environment in 2003, he proposed his concept of “interdisciplinary” works. He believed that the meaning of interdisciplinary should be the integration of various forms of art field, for example: installation, performance, action art and music composition. The basic elements can be combined with each other to produce a new language. It is also because of the diversity of interdisciplinary creation, how to master and apply the characteristics of each element is an indispensable ability for creators, so that “interdisciplinary” works
奈米計畫，在藉由奈米科技利用微小的改變來製造新結構的基礎理論。企圖以計畫的架構理念下，整合裝置、表演、行動藝術與音樂創作的創作元素，建構全新的藝術類型與新穎語彙，並期許透過奈米計畫的創作理念與元素整合延伸特性，為台灣跨領域藝術的發展，注入一股新思維與新方向，讓所有熱愛藝術的同好者，也更能體驗到藝術創作的新能量與新魅力。
“Nanoproject” is using nanotechnology concept to create the basic theories of new structures. Under the concept it is an attempt to integrate the creative elements of installation, performance, action art and music creation to construct a brand-new art type and language. It is hoped that through the integration and extension of the creative concept and element of the nano project, it has injected a new thinking and new direction of Taiwan, so that all those who love art can also experience the new energy of artistic creation.
一個跨越表演與行動藝術的創作，裝置、音樂、表演、服裝每一個元素都互相對位。在奈米計畫中，風格的統一是最重要的一件事，裝置不再只是裝置，音樂也不單純是片段拼貼而成，表演更因此而發展出新穎的語彙。
A creation that spans performing and action art, every element of installation, music, performance, and clothing is aligned with each other. In “Nanoproject”, the unification of style is the most important thing. The installation is no longer just an installation, and the music is not simply a collage of fragments. Performance has developed a new language as a result.
奈米計畫：2016rework
Nanoproject:2016rework
事隔13年的2016年，劉寅生發現了奈米計畫所討論的東西，也許適合再一次的製作，混合，或變異。回頭看看2003年的奈米計畫，我們是否已經在現今大環境中看到很多新品種的藝術混種？或者變得更加保守沒有創造力？
In 2016, 13 years later,Craphone Liu discovered that the things discussed in “Nanoproject2003” might be suitable for making, mixing, or mutating again. Looking back at the 2003 Nano Project, have we seen many new varieties of artistic hybrids in the current environment? Or become more conservative and uncreative?
劉寅生ㄧ直以“視覺藝術”（裝置、影像和行為藝術）為基礎，試著以視覺藝術的脈絡構成表演作品，他也試著在“表演藝術”與“行為藝術”之間找出一個模糊的界線。
Based on “visual art” (installation, video and performance art), Craphone Liu tried to construct performance works from the context of visual art. He also tried to find a difference between “performing art” and “performance art”. Blurred boundaries.
奈米計畫：2016rework將會是一個在不預設作品語彙之下，重新思考奈米計畫既有的元素，試著在事隔13年，這種對於藝術語彙的實驗與探索，能夠延續與擴大計畫的軌跡。
Nanoproject: 2016 rework will be a re-thinking of the existing elements of “Nanoproject” without pre-determining the language of the work. Try to continue this kind of experimentation and exploration of artistic language after 13 years. And the trajectory of the expansion plan.